The diamond cutting process

Diamond cutting. What the cutter keeps changes what you see.

The cutter decides where the weight goes. You decide whether that weight gives you visible size, useful brightness, or a bigger number on the report.

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Partly faceted diamond held in a brass dop beside an idle polishing wheel and a rough crystal

From rough to polished

Five stages turn a crystal into a buying decision.

The plan decides what survives the cutting wheel. The cutter works around the crystal’s shape, inclusions, and grain direction. These five stages group the full process, including marking and brillianteering. No single yield percentage promises quality.

01

Planning and mapping

Computer software helps compare possible shapes and map inclusions. The marker then outlines the cutting plan on the rough. That plan balances finished size, clarity, proportions, and the value of the stones it can produce.

Your buying question Did the final plan prioritize appearance or just a weight target?

02

Separating the rough

One rough crystal can produce several polished diamonds. A saw or laser separates the pieces. Cleaving splits suitable rough along a natural cleavage plane. The crystal and its inclusions help determine the route.

Your buying question What did the cutter remove, and what remains inside the finished stone?

03

Shaping the outline

Bruting rounds the outline and forms the girdle, the rim between the crown and pavilion. Traditional bruting uses one diamond against another. Fancy shapes need their own outline and facet layout.

Your buying question Does the outline look balanced, with useful visible spread?

04

Blocking and faceting

Blocking establishes the main facets. Brillianteering adds the smaller facets that complete a round brilliant’s pattern. Their placement matters too. The main angles alone do not tell you how the finished stone will look.

Your buying question Do the facets work together, or did a depth target dictate the result?

05

Polishing and final checking

Clean the diamond. Check the finish, proportions, and remaining features. If the result needs work, the cutter can return it to polishing before the final assessment.

Your buying question Do the report and actual appearance support the price?

The facets the cutter is working with.

GIA round brilliant diagram showing bezel, star, upper half and lower half facets, pavilion main facets, girdle, table size, crown and pavilion angles, depth and culet size

The main facets set the framework. The smaller facets finish the pattern. GIA’s diagram shows both, alongside the angles and dimensions that shape the finished diamond. Use it to see where the cutter keeps or removes weight.

View full-size diagramDiagram: © GIA. View the source chart.

Technical background: Modern Diamond Cutting and Polishing. Equipment has developed since this publication; it explains the core manufacturing stages rather than every current machine.

Small facet changes show up at the girdle.

Compare GIA’s standard arrangement with crown painting and digging out at the girdle. These are cutting variations, not surface coatings.

GIA normal girdle side-view diagram with bezel, upper half, pavilion main and lower half facet labels

Standard arrangement

The bezel and half facets meet the girdle at roughly equal thicknesses, creating an even scalloped edge.

View full-size diagramDiagram: © GIA. View the source chart.
GIA illustration of crown painting with changed half facet positions and girdle outline

Crown painting

Tilting the upper half facets toward the bezels changes the junctions.

Diagram: © GIA. Read the explanation.
GIA dug-out girdle side view showing bezel, upper half, pavilion main and lower half facets

Digging out at the girdle

Tilting the half facets away from the bezels or pavilion mains changes the junctions at the rim.

View full-size diagramDiagram: © GIA. View the source chart.

Check the actual light pattern. The effect depends on the proportions and the extent of the change.

The weight tradeoff

More retained carats do not guarantee more diamond on your hand.

Carat measures weight. Diameter and outline describe visible size. A deep pavilion or very thick girdle can keep weight in places you do not appreciate from above.

Imagine two round diamonds with similar carat weights. One spreads wider; the other carries more depth. You need the millimeter dimensions and the light pattern to decide which is the better buy. This is a comparison method, not a claim that shallow always wins.

Check the rim as well as the carats.

GIA girdle thickness chart with eight categories from Extremely Thin through Extremely Thick, typical valley and hill percentages, and visual assessment notes

Too thin raises durability concerns. Too thick can carry weight without useful spread. GIA’s chart shows the difference across eight girdle categories. The percentages are typical examples for symmetrical diamonds with evenly scalloped girdles. Ask how the rim works with the shape and setting.

View full-size diagramDiagram: © GIA. View the source chart.

The features the plan leaves behind

A cutter can work around an inclusion. The buyer still needs to inspect it.

Changing the outline or removing material can reduce an inclusion’s effect. It can also leave a feature near a girdle or vulnerable point to preserve weight. Clarity grade alone does not tell you whether that tradeoff works for your setting.

Give a bruise, chip, cavity, knot, etched channel, or indented natural specific attention. Ask where it sits, whether it reaches the surface, and what a qualified inspection says about durability. A plot or video cannot settle every concern.

An eye clean stone

An inclusion that does not catch your eye can still need a durability review. Appearance and structural questions are different.

A recut candidate

Recutting removes weight and changes the diamond. Ask for a specialist’s plan, costs, risks, and fresh grading rather than assuming an upgrade is automatic.

Apply the process to a purchase

Start with the finished diamond, not the cutter’s story.

  1. 01
    Choose the right report.

    For a natural diamond, start with GIA. Match the shape, measurements, grades, comments, and identity.

  2. 02
    Screen a natural round.

    Start near table 56 to 58 percent, depth 60 to 62.4 percent, crown angle 34 to 35 degrees, and pavilion angle 40.6 to 41 degrees. Prefer Excellent polish and symmetry and none to faint fluorescence.

  3. 03
    Check what the numbers produced.

    Use video under ordinary light and useful optical evidence. Screening ranges do not guarantee appearance and do not apply to fancy shapes.

  4. 04
    Keep the exit available.

    Confirm a return window long enough for verification. Do not pay a premium for a manufacturing story without evidence for the actual stone.

Put the GIA cut grade in context and see what physical verification has uncovered.

Straight answers

The questions buyers actually ask.

What actually polishes a diamond?

Diamond powder does the abrasive work. A metal wheel called a scaife carries the powder with oil. The cutter holds each facet at a controlled angle against it. Crystal grain affects the directions that will take a polish.

Does a round brilliant need 57 or 58 facets?

Either is normal. A standard round brilliant has 57 facets, or 58 if the cutter adds a culet facet at the bottom. That extra facet does not automatically make it better. Check how the whole pattern handles light.

Do lasers finish every facet?

No. Lasers can help separate or shape material. Faceting and polishing still involve precise work on the diamond’s surfaces, with equipment and technique varying by operation.

Does losing more rough always create a better cut?

No. Yield depends on the crystal, inclusions, chosen shape, and plan. Inspect the finished proportions and appearance. A loss percentage does not grade the diamond.

Can recutting make my diamond better?

Sometimes, but get a specialist’s assessment first. It removes weight and carries cost and damage risk. Compare the proposed appearance improvement with the entire tradeoff.

Is a Very Good polish grade the same as a Very Good cut grade?

No. Polish evaluates surface finish. Overall cut evaluates a broader set of factors. Read the separate report fields before comparing stones.

Sources and further reading

Explore GIA’s guides to diamond cutting, polishing, and cut quality.
  1. Modern Diamond Cutting and Polishing
  2. Cut: The 4th C
  3. Diamond Cut: Anatomy of a Round Brilliant
  4. Finish, Culet Size, and Girdle Thickness
  5. GIA Cut Grading System Charts and Booklets

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